Moloch - translation to ολλανδικά
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Moloch - translation to ολλανδικά

BIBLICAL NAME OF A CANAANITE GOD; A DYSPHEMIC VOCALISATION IN THE SECOND TEMPLE PERIOD OF A THEONYM BASED ON THE ROOT MLK ("KING")
Molech; Molekh; Moloch (deity); Molek; Lord Moloch
  • Offering to Molech (illustration from the 1897 ''Bible Pictures and What They Teach Us'' by Charles Foster). The illustration shows the typical depiction of Moloch in medieval and modern sources.
  • Depiction of the Moloch idol in [[Athanasius Kircher]]'s ''Oedipus aegyptiacus'' (1652) showing the typical features of the modern depiction of Moloch.
  • Die Alten Jüdischen Heiligthümer}} (1711, 1738).
  • Moloch statue from [[Giovanni Pastrone]]'s ''[[Cabiria]]'' (1914), [[National Museum of Cinema]] (Turin)

Moloch         
n. Moloch, Canaanite god mentioned in the Bible (whose ritual included human sacrifice)
Moloch      
n. Kanaänitische afgod in Bijbel genoemd (wiens aanbidders ook mensen offerden)
Hinnom      
n. diepe en nauwe vallei ten westen en zuiden van Jeruzalem waar Joden die beelden vereerden hun kinderen levend verbrandden als offer aan Moloch en Baäl

Ορισμός

Moloch
·noun The fire god of the Ammonites in Canaan, to whom human sacrifices were offered; Molech. Also applied figuratively.
II. Moloch ·noun A spiny Australian lizard (Moloch horridus). The horns on the head and numerous spines on the body give it a most formidable appearance.

Βικιπαίδεια

Moloch

Moloch (; Biblical Hebrew: מֹלֶךְ Mōleḵ or הַמֹּלֶךְ‎ hamMōleḵ; Ancient Greek: Μόλοχ, Latin: Moloch; also Molech or Molek) is a name or a term which appears in the Hebrew Bible several times, primarily in the book of Leviticus. The Bible strongly condemns practices which are associated with Moloch, practices which appear to have included child sacrifice.

Traditionally, the name Moloch has been understood as referring to a Canaanite god. However, since 1935, scholars have debated whether or not the term refers to a type of sacrifice on the basis of a similar term, also spelled mlk, which means "sacrifice" in the Punic language. This second position has grown increasingly popular, but it remains contested. Among proponents of this second position, controversy continues as to whether the sacrifices were offered to Yahweh or another deity, and whether they were a native Israelite religious custom or a Phoenician import.

Since the medieval period, Moloch has often been portrayed as a bull-headed idol with outstretched hands over a fire; this depiction takes the brief mentions of Moloch in the Bible and combines them with various sources, including ancient accounts of Carthaginian child sacrifice and the legend of the Minotaur.

"Moloch" has been figuratively used in reference to a power which demands a dire sacrifice. A god Moloch appears in various works of literature and film, such as John Milton's Paradise Lost (1667), Gustave Flaubert's Salammbô (1862), Fritz Lang's Metropolis, and Allen Ginsberg's "Howl" (1955).

Παραδείγματα από το σώμα κειμένου για Moloch
1. What these leaders have created is a Moloch that is going to eat us all.
2. Instead of understanding nuclear ambiguity as a philosophy of political responsibility and caution, Horev interpreted it as worship of the Moloch of secrecy.
3. The public does not blame the cabinet for the accidents and deaths; it sees them as part of natural law, a sort of sacrifice to Moloch of the highways.
4. This is a country that serves only one Moloch: Only for the sake of security are even the forlorn prepared to hand over their golden nose rings, while the high priests anoint their skin with oil and sprinkle perfume and holy water on their flock.
5. At a meeting of the Israel Bar Association (ISBA) in Eilat, Bar–On said "the Winograd report is a document that was served up to the Moloch of public opinion, following media pressure placed directly on the commission members." Advertisement Bar–On severely criticized the report, claiming that "the Winograd report is an incoherent report." "The fundamental flaw in the report stems from the attempt to find its legal dimension, and view the committee members as actual judges.